KATIA (Diane Kruger, speaking in her native German tongue) is a wife and mother who’s life is torn apart when a nail bomb explodes outside her Kurdish husband’s office, killing him and their son.
Told in three occasionally confusing chapters, In The Fade (named after the Queens of the Stone Age song - band-leader Josh Homme providing the score) owes the majority of its positives to its incredible lead performance and a tense second act.
The distinct differences in the three chapters are both the film’s charm and ultimately its slight undoing.
The first centres around grief, shock and our innate coping mechanism - on full display in the bombing’s immediate aftermath. The second is a courtroom drama - completely gripping and believable thanks to some fine performances.
The third, annoyingly it’s weakest, shows justice being sought on an overcast Greek island.
Bringing an important story to the screen (Germany’s rising National Socialist Underground are shooting and bombing people based solely on race to this very day), Kruger does a fantastic job of putting us in her place - even if the brutal journey and end result isn’t something we’d ever want to contemplate.
MOST READ IN SHOWBIZ
IN THE FADE: 106 mins (18)
★★★★