Future of reality TV where you control stars’ EVERY move is finally here
You can tune in and do anything from travel the world to kick back with new your new favourite musician and discover why millions are doing the same
REALITY TV of the future where you control every single move of on-screen stars is finally here.
Let's say you're watching a travel show on TV, and as your host wanders down a strange street thousands of miles away, chatting away, you catch a glimpse of something down an alley that looks interesting, but they move on and the moment is lost.
Now imagine you can point out the mysterious alley to the host, and they then go back to give you a closer look.
You're now going down that alley with them, and find yourself in the courtyard of temple and marveling with everyone else who's watching at the prayer flags flutter in the breeze.
This isn't some vision of the far future -- it's what could happen right now if you happen to tune into one of the travel shows broadcasting on .
Known for its video game streams, as many people watch Twitch in the UK on any given day as watch all the BT Sport channels combined -- and its reach is set to overtake Sky Sports soon if it hasn't already.
On average, every single person in the UK has watched three hours of content on Twitch this year so far, and that's growing every day.
Part of the reason for that growth is people watching esports such as Overwatch League or League of Legends championships as professional players compete around the world for prizes in the millions.
But there's much more to it than that...
Interaction in all these shows is absolutely crucial to their success and their appeal.
"It's all about the audience," according to Gaspard Walter, co-host of one of the first and best Twitch travel shows, .
Her first performance was a year ago to three people, two of whom she already knew -- and admits during the early days she once set her desk on fire on stream after an accident involving the candles she uses to give her studio a welcoming feel for those watching online.
Venus echoes what Gaspard and Tallulah say about the way Twitch democratises viewing, and how that goes both ways.
"The community is the show", she says, and "the stream can be improved just by you watching it."
"There’s an audience now that wants a real connection with the artist themselves," she told Sun Online.
"When they get that connection, it gives them an even closer relationship to the music."
This works both ways, with performers able to get instant feedback to improve their performance -- and success bringing in cash and sponsorship which can lead to obvious improvements in things as simple as cameras, lights, instruments or anything else.Her show is essentially an interactive gig -- and anyone watching can request songs, though donating to the stream helps your chances of being picked.
"I've never seen anything more exciting for a musician," Venus says when talking about that instant feedback and deep connection with the audience.
But it's also more than that. The show is set up "so it to be always feels like a place you can come and unwind and relax," she says.
Over time it's become "a really loving and mutually supportive place to hang out," as well as a place to listen to great music being made.
GETTING YOU WHERE THE ACTION IS
There are literally hundreds of shows going at any given time, and many of these can be as much a place to go and hang out as they are traditional shows.
These range from one-woman shows to fully-produced studio broadcasts that can and do seamlessly transfer to TV sports channels.
Twitch's head of content, Michael Aragon, explained how they're all important to the future of the site.
While video game content will always be at the core of the site's offerings, he also wants Twitch to be able to offer "some of the content gamers are probably going off platform for, but would love to watch on Twitch because of the community and the interactivity."
This is happening with content Twitch is producing itself and shows its working with others, such as the NBA, to bring to the audience.
While a traditional TV network might want to keep the viewers for its own shows where it gets to keep all the revenue, Aragon explains that with Twitch it's the opposite.
"We want to take the audience and we want to push them to the where all the cool action is," he tells Sun Online.
Key to that is the huge team he has working with individual creators, whether they're currently broadcasting to an audience of three or three million.
Superstar streamers might get weekly or daily check-ins from his teams to help them with technical issues and sponsorships, while smaller streamers can get support through Creator Camps with advice on how to increase their audience through social media.
But it's not just about the numbers either.
When streams blow up, sudden fame can be quite overwhelming, especially for younger streamers.
Aragon reveals they have counselors who can offer support to those who need it, as well as being able to put them in touch with other people who have been through the same thing.
"It's just about being a shoulder to lean on, and making sure they know that they have resources available to them," he says.
BANS, BOTS AND BIG NAMES
Supporting streamers also comes down to the basics of providing a strong and safe platform for them to perform on.
In an online world that seems dominated by toxicity and aggression, that can be a challenge.
It doesn't work all the time, as evidenced by some gaming streams where that sort of thing is still seen as just coming with the territory.
However, those streamers who want to create a welcoming and safe environment have the tools to do so.
"I think it boils down to having a very clear and coherent strategy around acceptable behaviours," Aragon says, referring to that strategy as his team's "North Star".
That "North Star" and clear principles seem to be coming into focus more and more, and applied even to the highest profile of users.
In stark contrast to YouTube's hands-off approach, Twitch's terms of service make it clear that popular streamers are "role models and leaders of the communities they create" who need to "consider the consequences of their statements and actions of their audiences".
They're not afraid to ban users who step over the mark, whether that's due to racism, homophobia, misogyny or anything else, no matter the size of their audience.
EDM musician and DJ Deadmau5 was a recent victim of this, being hit with a 30-day ban for the use of a homophobic slur.
Other game streamers with followers who number in the hundreds of thousands have also been hit with similar punishments in the past.
It's not perfect, as offensive content still gets through, and some streams with decidedly unpleasant or unsuitable content emerge and stay up for some time before being shut down.
That is despite there being a small army of human moderators watching over content -- both the streams being put out, and viewers' interactions with those streams.
It can also be a force for good.
One live stream organised recently by a couple of game streamers saw £225,000 raised for charity in one weekend as it went viral across the world.
Things do seem to be heading in the right direction, with changes introduced last year that made policies stricter and enforcement clearer really kicking in.
As well as the human element, there is an automatic moderation tool that streamers and mods can set up to catch obvious spammers, filter out specific words and phrases and activity they don't want to see.
This uses machine learning to get better over time, Aragon says, and it's that combination of technology, human interaction and strict enforcement of their rules that will be key to keeping things going.
If it does keep going, then you might just be seeing the future of TV -- where anyone can be a star, every show can be personal, and anything really can happen.
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