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SURREAL photos of Tahiti’s semi-sacred “third gender” – androgynous mahu, who are gender-variant – have been snapped in lush settings in French Polynesia.

Swiss-Guinean photographer Namsa Leuba has created a stunning set of images showing models highlighted with colourful cosmetics and body paint, to convey a “surreal sense of beauty and strangeness”.

 Namsa Leuba has unveiled a new series of work at Boogie Wall in London entitled 'Illusions – The Myth of the Vahine through Gender Dysphoria'
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Namsa Leuba has unveiled a new series of work at Boogie Wall in London entitled 'Illusions – The Myth of the Vahine through Gender Dysphoria'Credit: Namsa Leuba
 It questions the exoticism and sexualisation of Polynesian women in Western art
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It questions the exoticism and sexualisation of Polynesian women in Western artCredit: Namsa Leuba
 Those posing in her surreal portraits in Tahiti are decorated with traditional cultural and social ornaments
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Those posing in her surreal portraits in Tahiti are decorated with traditional cultural and social ornamentsCredit: Namsa Leuba
 They are seen as a third gender, born biologically as a male, but recognised by peers as distinct, from early in their lives in French Polynesia
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They are seen as a third gender, born biologically as a male, but recognised by peers as distinct, from early in their lives in French PolynesiaCredit: Namsa Leuba

Leuba is exhibiting the collection, "Illusions: The Myth of the 'Vahine' through Gender Dysphoria" at , a gallery in Mayfair, London.

On show throughout October, her aim is to challenge traditional male artists' views of Tahitian women.

explains that Tahiti's mahu are recognised as “being outside of the traditional male-female divide”.

The broadcaster says they are seen as a “third gender, born biologically as a male, but recognised by peers as distinct, from early in their lives”.

Leuba said: “Mahu have this other sense that men or women don’t have.

“It is well known in [French Polynesia] that they have something special.”

 Tahiti's mahu were described by artist Paul Gauguin as 'human beings of uncertain gender' in the late 1800s
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Tahiti's mahu were described by artist Paul Gauguin as 'human beings of uncertain gender' in the late 1800sCredit: Namsa Leuba
 Mahu are recognised as 'being outside of the traditional male-female divide'
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Mahu are recognised as 'being outside of the traditional male-female divide'Credit: Namsa Leuba
 The models distinguish themselves with colourful cosmetics and body paint, creating a surreal sense of beauty and strangeness
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The models distinguish themselves with colourful cosmetics and body paint, creating a surreal sense of beauty and strangenessCredit: Namsa Leuba
 The exhibition can be seen in Mayfair, London, this month
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The exhibition can be seen in Mayfair, London, this monthCredit: Namsa Leuba
 Gauguin described mahu as 'human beings of uncertain gender' when he arrived in Tahiti for the first time in 1891
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Gauguin described mahu as 'human beings of uncertain gender' when he arrived in Tahiti for the first time in 1891Credit: Namsa Leuba

Mahu play social and spiritual roles, as guardians of cultural rituals and dances in Tahiti.

Or, they care for the island’s elders and children, CNN adds.

On her website, Leuba says her Illusions project was "inspired by the paintings of Paul Gauguin and 'tropical' images in Modern art, which occupy the Western collective unconscious."

Gauguin described mahu as “human beings of uncertain gender” when he arrived in Tahiti for the first time in 1891.

According to the , because he had hair down to his shoulders and was clad in flamboyant clothes, islanders initially believed he was also mahu.

He was told that they were a man-woman who have “existed from time immemorial in the cultures of the Pacific, but which had been demonised and banned by both Catholic and Protestant missionaries”, the Tate adds.

Having spent nine years in Tahiti and the Marquesas Islands, Gauguin’s paintings are “full of human beings of uncertain gender who share equally masculine and feminine attributes”, the attraction explains.

Leuba says her contemporary portraits feature sitters known in Tahiti as either mahu or 'rae rae' – transgender.

The photographer also wanted to show their strong connection to nature, "like creatures between myth and reality", as opposed to casting Polynesian women as "beautiful, desirable and subservient".

 Namsa Leuba's work at Boogie Wall titled 'Illusions – The Myth of the Vahine through Gender Dysphoria'
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Namsa Leuba's work at Boogie Wall titled 'Illusions – The Myth of the Vahine through Gender Dysphoria'Credit: Namsa Leuba
 Leuba’s work has been exhibited across a number of prestigious art fairs
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Leuba’s work has been exhibited across a number of prestigious art fairsCredit: Namsa Leuba
 In years gone by, song and dance were a major part of rituals, and religious ceremonies, in Tahiti
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In years gone by, song and dance were a major part of rituals, and religious ceremonies, in TahitiCredit: Alamy
 Tahiti is described as an idyllic island paradise on tourism websites
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Tahiti is described as an idyllic island paradise on tourism websitesCredit: Alamy
 Tahitian dancing was once outlawed - but re-emerged in the mid-20th century
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Tahitian dancing was once outlawed - but re-emerged in the mid-20th centuryCredit: Alamy

 

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